Read e-book online The Mechanical Song: Women, Voice, and the Artificial in PDF

By Felicia Miller-Frank

reading the privileged relation of girls to the making a song voice in nineteenth-century literary works, the writer argues for an rising id among girls and artifice within the interval. starting with texts through Rousseau and Proust that convey a hyperlink among nostalgia for the maternal voice and the writer's self, the booklet then turns to the psychoanalytic literature at the position of the voice within the formation of the psyche. within the approach, it analyses feminist polemics at the maternal voice to teach how voice and rhythm jointly shape the matrices of the topic. The voice of the soprano occupied a different position in nineteenth-century operatic historical past, exchanging the castrato voice as a sexless, angelic, airy resource of enjoyment for the opera-goer. the writer indicates how those traits are pointed out with women's voices in literary texts by way of Sand, Balzac, du Maurier and Nerval.

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The Mechanical Song: Women, Voice, and the Artificial in Nineteenth-Century French Narrative by Felicia Miller-Frank


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