By Rick Kemp
‘A specialise in the physique, its activities, and its cognitive mechanisms identifies ... foundational ideas of job that hyperlink the 3 parts of theatre; tale, area, and Time. the 3 meet in, are outlined by means of, and expressed throughout the actor’s body.’ – from the Introduction?
Embodied Acting is a necessary, pragmatic intervention within the research of ways contemporary discoveries inside cognitive technological know-how can – and may – be utilized to functionality. For too lengthy, a conceptual separation of brain and physique has ruled actor education within the West. Cognitive technological know-how has proven this binary to be illusory, shattering the conventional obstacles among brain and physique, cause and emotion, wisdom and mind's eye. This progressive new quantity explores the influence extra holistic method of the "bodymind" may have at the performing process.
Drawing on his event as an actor, director and pupil, Rick Kemp interrogates the most important cognitive actions concerned about functionality, including:
- non-verbal communication
- the dating among inspiration, speech, and gesture
- the dating among self and character
- empathy, mind's eye, and emotion.
New views at the paintings of Stanislavski, Michael Chekhov, and Jacques Lecoq – in addition to modern practitioners together with Daniel Day-Lewis and Katie Mitchell – are explored via useful routines and available motives. mixing concept, perform, and state of the art neuroscience, Kemp provides a thorough second look of the subconscious actions engaged in developing, and proposing, a role.
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Embodied Acting: What Neuroscience Tells Us About Performance by Rick Kemp